1 |
Milton. Cap. 9: Language and Knowledge in Paradise Lost |
Leonard John |
8 |
0 |
Agregar
|
2 |
The Annotated Milton. Book 1 |
Milton John |
10 |
|
Agregar
|
3 |
Feminist Literary, Theory and Criticism |
- |
5 |
1 |
Agregar
|
4 |
The progress of Romance. Cap. 3: The politics of seduction in English popular culture 1748-1848 |
Clark Anna |
7 |
1 |
Agregar
|
5 |
British literature 1640-1789. Cap. 10: Anne Finch: Gender, Politics, and Myths of the Private Self |
Barash Carol |
5 |
1 |
Agregar
|
0 |
Programa 2015-2016 |
Catedra |
6 |
1 |
Agregar
|
7 |
Unidad 1 - Introduccion |
Hall, S y Gay, P. - Sarup, M |
16 |
0 |
Agregar
|
8 |
Unidad 2 - 1º parte |
John Donne - Guibbory, Achsah - Raine, K. - Thomas Docherty |
35 |
0 |
Agregar
|
9 |
Unidad 3 Completa |
Varios Autores |
84 |
0 |
Agregar
|
0 A |
Programa 2016 |
Catedra |
6 |
1 |
Agregar
|
10 |
Paper on A Modest Proposal |
Sean Moore |
9 |
0 |
Agregar
|
11 |
Paper on Imperialism (Spenser and Swift) |
Lucile G. Appert |
7 |
1 |
Agregar
|
12 |
Paper on Life by Herbert |
Scott Coomes |
2 |
0 |
Agregar
|
13 |
Paper on Periodical Essays |
Brian Cowan |
11 |
1 |
Agregar
|
14 |
Paper on The Country Wife |
Peggy A. Knapp |
11 |
1 |
Agregar
|
15 |
The interesting narrative of life of E. Olaudah E |
Olaudah Equiano |
85 |
0 |
Agregar
|
16 |
Paper on Restoration Comedy |
Ketcham |
7 |
1 |
Agregar
|
17 |
Mr. Spectator and the Coffehouse Public Sphere |
Cowan Brian |
11 |
1 |
Agregar
|
18 |
Generic Transformation and Social Change: Rethinking the Rise of the Novel |
McKeon, Michael |
12 |
0 |
Agregar
|
19 |
Oroonoko or, The Royal Slave. A True History |
Aphra Behn |
40 |
0 |
Agregar
|
20 |
Devouring Posterity: "A Modest Proposal", Empire, and Ireland's "Debt of the Nation" |
Moore, Sean |
9 |
0 |
Agregar
|
21 |
The Pen Is Mightier than the Whore: Imperialism and Cultural Authority in Spenser and Swift |
Appert, Lucile G. |
7 |
1 |
Agregar
|
22 |
Flawed Poetry as Perfect Worship: George Herbert's 'Life' |
Coomes, Scott |
2 |
0 |
Agregar
|
23 |
UniversitySetting and Self-Presentation in the Restoration and Early Eighteenth Century |
Ketcham, Michael G. |
7 |
1 |
Agregar
|
24 |
The "Plyant" Discourse of Wycherley's "The Country Wife" |
Knapp, Peggy A. |
11 |
1 |
Agregar
|
25 |
Fielding and the irony of from |
Sheridan Baker |
9 |
|
Agregar
|
26 |
Fielding's bill of fare in tom jones |
Michael Bliss |
5 |
0 |
Agregar
|
27 |
Tom Jones: The Bastard of history |
Homer Obed Brown |
17 |
1 |
Agregar
|
28 |
What fielding Doesn{t Say in tom Jones |
Stephen B Dobranski |
11 |
1 |
Agregar
|
29 |
Historical Space in the History of Between public and private in Tom Jones |
George Drake |
16 |
|
Agregar
|
30 |
Incest and morality in "Tom Jones" |
Michael Hall |
2 |
1 |
Agregar
|
31 |
The Serpent and the dove: Fielding's irony and the prudence theme of "Tom Jonas" |
Glenn Hatfield |
8 |
1 |
Agregar
|
32 |
Verbal Irony in Tom Jones |
Eleanor N Hutchens |
3 |
0 |
Agregar
|
33 |
Fielding's Novel about novels: The Prefaces and the Plot of Tom Jones |
F. Kaplan |
8 |
0 |
Agregar
|
34 |
Matter and Reflection in Tom Jones |
Thomas Lockwood |
5 |
1 |
Agregar
|
35 |
Hope and despair in "Tom Jones" |
Samuel E. Longmire |
5 |
0 |
Agregar
|
36 |
Tom Jones and Tom-Mania |
Roger Loomis |
9 |
1 |
Agregar
|
37 |
Moral Sense and the Narrator of Tom Jones |
James Lynch |
8 |
1 |
Agregar
|
38 |
Some Recent views of Tom Jones |
Alan McKillop |
3 |
1 |
Agregar
|
39 |
Morrors of Fiction within Tom Jones: The paradox of Self-Reference |
Susan McNamara |
10 |
0 |
Agregar
|
40 |
The Hungry Author and Narrative Performance in Tom Jones |
Timothy O'Brien |
8 |
1 |
Agregar
|
41 |
Fielding's "Orientalist" moment: Historical Fiction and Historical Knowledge in Tom Jones |
Ricardo Ortiz |
10 |
1 |
Agregar
|
42 |
Henry Fielding. Richard Bentley, And the "sagacious Reader" of Tom Jones |
Henry Power |
12 |
1 |
Agregar
|
43 |
Plot as Irony: The Reader's Role in Tom Jones |
John Preston |
8 |
1 |
Agregar
|
44 |
Tom Jones and the "pursuit of true judgment" |
John Preston |
6 |
1 |
Agregar
|
45 |
Aristotle and the "prudence" theme of Tom Jones |
Frederick Ribble |
10 |
1 |
Agregar
|
46 |
The Judgment of evidence in "Tom Jones" |
Malinda Snow |
8 |
0 |
Agregar
|
47 |
Tom Jones and the Stuarts |
John Allen Stevenson |
13 |
0 |
Agregar
|
48 |
The probable and the Marvelous in Tom Jones |
Robert Wess |
7 |
1 |
Agregar
|
49 |
Henry Fielding and the Knowledge of Character |
Arlene Fish Wilner |
7 |
1 |
Agregar
|
55 |
Setting and Self-Presentation in the Restoration and Early Eighteenth Century |
Michael Ketcham |
7 |
1 |
Agregar
|
57 |
Who needs "identity"? |
Hall S. |
8 |
1 |
Agregar
|
58 |
oroonoko or, the Royal Slave. A True history |
Aphra Behn |
40 |
|
Agregar
|
59 |
The Rise of the novel |
Watt |
167 |
|
Agregar
|
60 |
A Vindication of the Rights of Woman with Strictures on Political and Moral Subjects |
Wollstonecraft |
55 |
1 |
Agregar
|
61 |
Tragedy of Venice Preserved (LIBRO COMPLETO) |
Otway, Thomas |
39 |
0 |
Agregar
|
62 |
CH 1: Introduction. Criticism in the contact zone |
Mary Louise Pratt |
3 |
1 |
Agregar
|
63 |
Gothic |
Fred Botting |
34 |
0 |
Agregar
|
64 |
Robinson Crusoe - Paul Hunter |
Daniel Defoe |
4 |
1 |
Agregar
|
65 |
Robinson Crusoe - Michael Mc Keon |
Daniel Defoe |
6 |
1 |
Agregar
|
66 |
Mysticism in Seventeenth-Century English Literature |
Elbert N.S. Thompson |
31 |
1 |
Agregar
|
67 |
Setting and Self-Presentation in the Restoration and Early Eighteenth Century |
Michael G. Ketcham |
7 |
1 |
Agregar
|
68 |
Bloody Records: Manuscripts and Politics in The Castle of Otranto |
Crystal B. Lake |
12 |
1 |
Agregar
|
69 |
Devouring Posterity: "A Modest Proposal", Empire, and Ireland`s "Debt of the Nation" |
Sean Moore |
9 |
0 |
Agregar
|
70 |
Who needs "identity"? |
Hall, S. |
8 |
1 |
Agregar
|
71 |
Referencing - The Harvard System |
Exeter |
5 |
1 |
Agregar
|
72 |
The "Plyant" Discourse of Wycherley`s "The Country Wife" |
Peggy A. Knapp |
11 |
1 |
Agregar
|
73 |
The Serpent and the Dove: Fielding´s Irony and the Prudence Theme of "Tom Jones" |
Glenn W. Hatfield |
8 |
1 |
Agregar
|
74 |
The "Songs and Sonnets" of John Donne |
Horace Ainsworth Eaton |
12 |
0 |
Agregar
|
75 |
Wit and "The Spectator`s" Ethics of Desire |
Elizabeth Kraft |
11 |
1 |
Agregar
|
76 |
Generic Transformation and Social Change: Rethinking the Rise of the Novel |
Michael McKeon |
12 |
0 |
Agregar
|
77 |
Moral Sense and the Narrator of Tom Jones |
James J. Lynch |
8 |
1 |
Agregar
|
78 |
Mr. Spectator and the Coffehouse Public Sphere |
Brian Cowan |
11 |
1 |
Agregar
|
79 |
The Pen Is Mightier than the Whore: Imperialism and Cultural Authority in Spenser and Swift |
Lucile G. Appert |
7 |
1 |
Agregar
|
80 |
Plot as Irony: The Reader`s Role in Tom Jones |
John Preston |
8 |
1 |
Agregar
|
82 |
Tom Jones and the "Pursuit of True Judgment" |
John Preston |
6 |
1 |
Agregar
|
83 |
The Canonization of John Donne |
David Kelly |
10 |
0 |
Agregar
|
92 |
Tragedy of Venice Preserved |
Thomas Otway |
24 |
0 |
Agregar
|
91 |
Restoration and Eighteenth - Century Comedy |
Scott McMillin |
323 |
0 |
Agregar
|
90 |
Oroonoko or, The Royal Slave. A True History |
Aphra Behn |
40 |
0 |
Agregar
|
89 |
The Annotated Milton: Complete English Poems |
Bantam Classic |
432 |
0 |
Agregar
|
88 |
Professing in the Contact Zone: Bringing Theory and Practice Together |
Wolff, Jenice. |
164 |
0 |
Agregar
|
87 |
A Vindication of the Rights of Woman with Structures on Political and Moral Subjects |
Mary Wollstonecraft |
55 |
1 |
Agregar
|
85 |
The Interesting Narrative of The Life of Olaudah Equiano, or Gustavus Vassa The African. |
Gustavus Vassa |
85 |
0 |
Agregar
|
86 |
Love and its Costs in Seventeenth - Century Literature |
Michael Bryson and Arpi Movsesian |
23 |
1 |
Agregar
|
84 |
Gothic |
Fred Bottingº |
68 |
1 |
Agregar
|
81 |
Referencing Handbook |
Harvard |
17 |
1 |
Agregar
|