34 |
Historigraphic metafiction |
Hautcheon Linda |
15 |
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33 |
Imaginary homelands revisited in the novels of kazuo ishiguro |
Davis Rocio |
5 |
1 |
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32 |
An interview with kazuo ishiguro |
Mason Gregory |
7 |
1 |
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31 |
Cultura y sociedad 1780-1950 |
Williams Raymond |
70 |
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30 |
The country and the city |
Williams Raymond |
86 |
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29 |
Unidad 5: English fiction since 1984 |
Finney Brian |
60 |
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28 |
Unidad 5: A History of the world |
Barness Julian |
43 |
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27 |
Unidad 5: The politics of postmodernismo |
Hautcheon Linda |
15 |
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24 |
Unidad 4: Color in to the lighthouse |
Stewart Jack |
11 |
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23 |
Unidad 4: To the lighthouse |
Woolf Virginia |
38 |
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22 |
Unidad 4: This page intentionally left blank |
Woolf Virginia |
43 |
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21 |
Unidad 3: My last Duchess |
Ferrara |
1 |
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20 |
Unidad 3: Photography extraordinary |
Carroll Lewis |
2 |
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19 |
Unidad 3: She all my fancy painted him |
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2 |
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18 |
Unidad 3: Collected poetry and prose |
Rossetti gabriel |
7 |
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17 |
Unidad 3: The lady of shalott |
Tennyson Lord Alfred |
2 |
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16 |
Unidad 3: The picture of Dorian Gray |
Wilde Oscar |
58 |
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15 |
Unidad 3: Sexual Personae |
Paglia Camille |
10 |
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14 |
Unidad 3: On Photography |
Sontag Susan |
10 |
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13 |
Unidad 3: My fancy |
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11 A |
Unidad 2: Poetic form and british romanticism |
Stuart Curran |
70 |
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10 |
Unidad 2: William Blake |
Kathleen Raine |
6 |
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9 |
Unidad 2: British Romanticism |
Curran Stuart |
14 |
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8 |
Unidad 2: London revisited |
Raine Kathleen |
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7 |
Unidad 2: La belle dame sans merci: A ballad (1819) |
Keats John |
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6 |
Unidad 2: Ode on a grecian urn (1819) |
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1 |
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5 |
Unidad 2: Kubla Khan |
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4 |
Unidad 2: London |
Blake William |
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3 |
Unidad 2: The Marriage of heave and hell |
- |
13 |
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2 |
Unidad 2: The Marriage of heave and hell |
Blake William |
5 |
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1 |
Unidad 1: The long revolution |
Raymond Williams |
20 |
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1 A |
Porter institurte for poetics and semiotics |
- |
6 |
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11 |
The short oxford history of english literature |
Sanders Andrew |
100 |
1 |
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35 |
A dictionary of literary terms and literary theory |
Cuddon |
400 |
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25 |
The politics of postmodernism |
Hutcheon Linda |
116 |
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26 |
The architecture of the visible |
Macphee Graham |
120 |
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36 |
A portrait of the artist as a young man |
Joyce James |
72 |
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37 |
And Artist of the Floating World |
Kazuo Ishiguro |
58 |
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38 |
The Routledge Companion To Aesthetics |
catedra |
363 |
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39 |
The Moon and Sixpence |
W.Somerset Maugham |
120 |
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12 |
The visionary company - Completo |
Harold Bloom |
240 |
0 |
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40 |
The rime of the ancient mariner |
Coleridge Taylor Samuel |
5 |
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41 |
A new made of painting |
Raine Kathleen |
7 |
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42 |
On the marriage of heaven and hell |
Nurmi Martin |
3 |
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43 |
Traditional Symbolismo in Kubla Khan |
Kathleen Raine |
7 |
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0 A |
Programa 2017 |
Cátedra |
5 |
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44 |
The mill on the floss (extractos unidad 3, pp. 19-26) |
Eliot, George |
3 |
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45 |
Extractos, Unidad 3. Pp. 52-56. En: Jude the osbscure |
Hardy, T. |
3 |
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46 |
Chapter X y XI. En: The picture of Dorian Gray |
Wilde, O. |
7 |
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47 |
Hard times (pp. 49-51) |
Dickens, C. |
2 |
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48 |
A little cloud. En: Dubliners (pp. 76-94) |
Joyce, J. |
6 |
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1 B |
Cronograma curso de verano 2018 |
Catedra |
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49 |
4. Summer 1969; 2.The Seed Cutters. En: North |
Seamus Heaney |
1 |
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50 |
Atonement (LIBRO COMPLETO) |
Mc Ewan, I. |
110 |
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51 |
Memories like Photographs |
Pinchuk, M. |
8 |
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52 |
Wordsworth: A Remembered Experience. En: The Underlying order |
Raine |
5 |
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53 |
Play with a Tiger |
Lessing, Doris |
18 |
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54 |
Northanger Abbey pp xii-viv |
Jane Austen |
3 |
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